With its roots in the ’60s and the honky-tonk style forged by Hank Williams, outlaw country music began to snowball in the early ’70s as more and more artists bristled against the genre’s commercialism, social conventions and the slick and shiny “Nashville Sound.”

What is Outlaw Country?

When most people think of outlaw country, they think of Waylon Jennings, Willie Nelson, David Allan Coe and Merle Haggard.

These titans of the subgenre propelled the movement — both individually, and in some cases, collaboratively — by recording songs that they’d often written themselves, and featured production that more closely mirrored a live performance experience in comparison to the pop-influenced studio sound popular in Music City recording studios.

When Did Outlaw Country Start?

The term outlaw country and its parameters solidified across the late ’60s and early ’70s, making it hard to pinpoint an early start date.

But the term likely came into popular usage thanks to the song “Ladies Love Outlaws,” originally by Lee Clayton, after Jennings released his version in 1972.

In the years leading up to the ’70s, Jennings had grown progressively more disillusioned with Nashville’s country music industry and the limits it imposed on how he presented himself and the kind of music he recorded.

Read More: The Best Waylon Jennings Songs Show His Outlaw Side

Jennings had been a top earner for RCA Records in the ’60s, but in 1972, he hired a new manager named Neil Reshen to help him reject the label’s resigning terms and forge greater artistic control.

Around that same time, per Holler, Kris Kristofferson was preparing to release his first studio album, and he was similarly leery of caving to record labels’ restrictions or produce a conventional Nashville sound. Other artists, like Nelson, were also running into friction with the industry’s limits, too.

Wanted! The Outlaws

On Jan. 12, 1976, Waylon Jennings, Tompell Glaser, Willie Nelson and Jessi Colter released a compilation album called Wanted! The Outlaws.

Many of the songs had already been released in the years before that point, often by other artists such as Billy Jo Shaver, Steve Earl, Buck Owens and Jimmie Rodgers. Also featured was a cover of “Suspicious Minds,” which was written and recorded by Mark James but popularized by Elvis Presley.

The project served as a capsule of what outlaw country music sounded like at the time. It also proved that this daring, experimental subgenre could be commercially successful despite rebelling against the existing tropes and formula of Music City.

It became the first country music album in history to be platinum certified, meaning it reached sales of a million units.

What is Outlaw Country Music About?

Creative freedom was a hallmark of outlaw country when it came to lyrical subject matter, too. In this list, you’ll find a lot of lines about travel and the open road, more than a few about drugs and some that don’t make any attempt at all to hide their contempt for the Nashville powers that be.

Though some artists, such as Coe and Johnny Paycheck, served jail time before ascending to stardom, this movement wasn’t specifically about being a literal outlaw.

The label applied more broadly to artists who rejected the status quo, who wanted to side step Nashville’s country hit formula of the day in order to fulfill their own artist-driven, independent vision.

(That being said, the outlaws sure did break or bend the law a lot: But those are stories for another day.)

Keep reading for Taste of Country’s recap of 30 songs that defined the first iteration of the outlaw country movement. Most of these classics were released in the ’70s, though some came out in the ’80s and ’90s, and one or two even released in the 2000s.

What you’ll find here is an essential songbook, and not an attempt to define what counts as outlaw country music today. It turns out, trying to pinpoint an outlaw sound in 2026 is a bit of a complicated endeavor, and deserves an examination all its own.

Keep watching Taste of Country for more on that later, and for now, read on to revisit the 30 songs that define the outlaw country movement.

Found by a source on Reddit, user u/After_masterpiece533 posted that the Album Of The Year website had a brand new release for Poison The Well that very much has not been announced yet. While whispers have been floating about ever since the band started posting cryptic teasers on their socials and Ticketmaster accidentally leaked a handful of tour dates for this year, this is the first real piece of information – if true – available about the rumoured record.

Called Peace in Place, slated for release on March 20th of this year, it’s going to be released via Sharptone Records and has ten tracks. And according to the same user, the new single will be out tomorrow, because it’s already released in New Zealand.

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The ten tracks are supposedly as follows:

1. “Wax Mask”
2. “Primal Bloom”
3. “Thoroughbreds”
4. “Everything Hurts”
5. “Weeping Tones”
6. “A Wake Of Vultures”
7. “Bad Bodies”
8. “Drifting Without End”
9. “Melted”
10. “Plague Them The Most”

New album Poison The Well
byu/After_Masterpiece533 inMetalcore

It should be noted that there is only one contributor listed for this new album information – first name, Austyn – and as much as this is most likely correct information, take it with a grain of salt until the band or record label confirms it.

The leaked Poison The Well tour dates are also as follows, which would coincide with a March 20th album release date:

March 20th – Miami, FL @ Las Rosas
March 21st – Ft. Lauderdale @ Culture Room
March 23rd – Tampa, FL @ Crowbar
March 24th – Winter Park, FL @ Conduit