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WES BORLAND Of LIMP BIZKIT Doubles Down After Saying “F*ck You” To Trump Supporters: “F*ck Trump, F*ck ICE”

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Limp Bizkit‘s guitarist Wes Borland ruffled a few feathers last week when he decided posted to his Instagram stories that “if any of [his] followers voted or support Trump or are still friends with anyone who supports the Trump administration[,] you’re out. Fuck you. Never contact me again.”

And yesterday evening, Borland made an Instagram post addressing the inevitable backlash that followed his original story, with the caption reading: “I guess if you’re mad at me say whatever you want to here. I just want everyone to be happy. Fuck Trump. Fuck ICE. Democrats are without leadership except Bernie. Love AOC. So call me a Libtard here. Hail Satan. It’s also my birthday so you can wish me a happy birthday if you want.”

Following up on the post with another Instagram story on the same day (6th February), Borland went on to say that “y’all hating [him] for not wanting hatred in the world is wild. Fine, keep voting against your best interests and telling [him]: stick to playing guitar. Never heard that one before.”

Wes Borland has been notoriously critical of the current president, ever since his first election in 2016, and he is far from the only alternative musician with something to say about it. The alternative genre will always be inherently political, regardless of the band’s intentions – there’s an entire editorial that could cover the argument – so, it really should be unsurprising that artists that deviate from the status quo have something to say about the current state of socio political affairs. At the end of the day, they’re artists. And art is a reflection of our society, and our society is currently going through a massive transition in which the richer are getting richer while our grocery bills steadily climb week after week.

Check out the Limp Bizkit guitarist’s Instagram posts and stories below.

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Volkswagen, UAW Agree to 20% Wage Hike for Tennessee Plant Workers

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The company and union have been in talks for a year-and-a-half on their high-stakes first contract.



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Lindsey Vonn is ready for the Winter Olympics despite injury

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LINDSEY VONN HAS waited a long time for this. After Thursday’s downhill training was canceled due to heavy snowfall and Friday’s practice was delayed more than 90 minutes by fog, Vonn pushed out of a start gate for the first time this Olympics.

The 10th skier to drop, she skied smoothly and confidently and led through most of the course before making a couple of errors over the rollers at the bottom and finishing with the 11th-best time of the day. Her run was remarkable for how unremarkable it was.

Just three days earlier, Vonn announced that she would still compete at these Olympics despite completely tearing the ACL in her left knee a few days before. Making it through a training run in front of the world would prove to her and everyone else that she is fit to compete Sunday.

“This felt like race day to me,” her coach Aksel Lund Svindal said Friday. “You know her history. She’s gone hard at times when people have told her she probably shouldn’t be in the start gate.”

Vonn has been in this position before. The story of these Olympics is the story of her career: long streaks of unparalleled success interrupted by injury — often just before or during an Olympics.

At the 2006 Games, she crashed in a downhill training run, was airlifted from the mountain and returned two days later to finish eighth. In 2010, she suffered a deep shin bruise she called the most painful injury of her life. She won the downhill. In 2014, she missed the Games with a partial ACL tear, and in 2018, she skied with a chunk of cartilage dislodged in her right knee.

She wanted this time to be different. She came into this season as strong as she’s been in a decade. She was pain-free. And she was winning again.

But ski racing is risky, and Vonn skis on the edge. “Because I push the limits, I crash, and I’ve been injured more times than I would like to admit — to myself, even,” she said Tuesday.

play

10:22

Lindsey Vonn on grief, growth and her second chance at ski racing

Lindsey Vonn reflects on the physical and emotional pain that shaped her final Olympics, the self‑discovery that followed retirement, and the joy and confidence fueling her return to ski racing.

“I’ve been working really hard to come into these Games in a much different position [than in years past],” Vonn said. “I know what my chances were before the crash, and I know my chances aren’t the same as it stands today. But I know there’s still a chance, and as long as there’s a chance, I will try.”

Vonn will take her chance at the downhill on Sunday at her fifth Olympics. She said she is not in pain and her knee feels stable. She posted videos of herself doing squats and speed workouts in the gym this week and took a second training run Saturday, where she was more than two seconds faster than the day before. Svindel said he saw symmetry in her skiing and that her left- and right-footed turns looked equally strong.

Although this isn’t how Vonn imagined her final Olympics starting, it’s hard to think of a more fitting place for the 41-year-old to end her ski racing career. She made her first World Cup podium in Cortina as a teenager in 2004, and her 12 World Cup wins here are more than any other skier has earned at a single venue.

“I never thought I would be in this position,” Vonn said in late October. She was in New York ahead of the World Cup season and unaware of how the next few months would go — that she would win the first downhill race of the year or that by the time she arrived in Cortina, the world would be wondering once again if she could even race.

But had she known what lay ahead, Vonn likely would have said something similar to what she did Tuesday: Her return isn’t about wins or losses, but rather about showing up in the start gate and trying. She is not letting this injury derail her second chance at ending her career on her terms.

“If it had been anywhere else, I would probably say it’s not worth it,” Vonn said. “But for me, there’s something special about Cortina that always pulls me back, and it’s pulled me back one last time.”


BY ANY MEASURE, even without this comeback, Vonn’s career has been spectacular. When she retired at 34, she had more World Cup wins, 82, than any woman and the second most in history, after Swedish great Ingemar Stenmark’s 86. Vonn’s American teammate, Mikaela Shiffrin, has since surpassed both skiers, with 108 World Cup wins and counting, but Vonn still holds the record for the most downhill wins by any skier, male or female. She is also the only American woman to win gold in the downhill at the Olympics.

But she didn’t retire on her terms.

Instead, Vonn’s body made the decision for her. She suffered a devastating string of injuries, underwent multiple ACL and MCL repairs and skied through constant pain. By the 2018 Olympics in Pyeongchang, she could barely bend her right knee or straighten it entirely.

A year later, she competed in her final world championships. Ahead of her last race, knowing how much pain she was pushing through, Vonn’s longtime coach, Erich Sailer, who died last August, told her, “What’s 90 seconds in a lifetime?” She earned bronze and said goodbye to the sport. “When I said I was retired, I was retired,” Vonn says. “I really, truly built my life outside of skiing in a meaningful way.”

In retirement, she embraced being a beginner. She tried car racing, rodeo roping and wrote a book. She shared about her adventures with her beloved rescue dogs, her mental health and her time with family and friends. Experiencing life beyond the isolated world of elite ski racing provided her better perspective and built her self-confidence off skis.

In August 2022, Vonn lost her mother, Linda, who died after a yearlong battle with ALS. Her mother’s life inspired how Vonn lived. Her death influenced Vonn’s decision to return to racing.

“My mother in general, her attitude has always inspired my comebacks,” Vonn said in October. “Her passing makes me realize even more that life is short. I’m given this opportunity and I can’t take that for granted.

“And if I fail, who cares?” she said. “I’ve already won everything. Someone asked me if not being successful at the Olympics would tarnish my legacy. No, because I tried. My legacy is not about winning, it’s about trying.”

Vonn underwent a partial knee replacement in April 2024, and within a month, she could straighten her leg fully and perform exercises she hadn’t done in years. She started to dream.

Knowing the next Winter Games were in Cortina gave her a goal, and she returned to the sport as a better skier than when she retired. “I’m generating speed off my right side, which I haven’t in a very long time,” Vonn said in October. “My right-footed turn is my best turn. I don’t know the last time that’s been the case.” That will be crucial here in Cortina as she adapts to a new injury to her left knee.

Vonn also added 12 pounds of muscle ahead of this season and increased her overall strength and agility, all of which — along with a knee brace — will help stabilize her injured knee. In August, she began working with Svindal, a two-time Olympic champion for Norway who retired the same month she did in 2019.

So far this season, Vonn has finished on the podium in five of five World Cup downhill races and won two, in addition to earning two podiums in three Super-G races.

Vonn said yes to this comeback for two simple reasons: because she can, and because she believes she can win, especially in Cortina. Despite the injury, both things are still true. She knows this course. She knows where and how to push its limits and she said Tuesday that when she’s in the start gate, she won’t be thinking about her knee. She’ll be thinking about skiing fast.

“I love everything about the Cortina track,” Vonn said last year. “I understand it well. In downhill, it’s all about seeing the fall line and being able to carry speed. I know the places where I can make a mistake and where I can’t, the places I have to accelerate. Overall, I have a great feel for what it takes to ski fast there.”


If VONN BELIEVES in anything, it’s second chances.

In the summer of 2025, less than a year after she announced her return, Vonn’s sister suggested she adopt a new companion to travel the World Cup circuit with her. “She said, ‘You’re much happier when you have a dog with you,'” Vonn said.

Vonn was still mourning the loss of Lucy, her Cavalier King Charles spaniel who traveled everywhere with her, even sitting next to her at dinners and in Olympic news conferences. But in August, she started looking. She scrolled through listings on an adoption website and on the very last page, she saw him: a Cavalier King Charles spaniel puppy with a cute brown face cleaved by a white hourglass stripe. And he already had the perfect name: Chance.

“I was like, ‘This is poetic,'” Vonn said. “This is my boy. This is my second chance.”

Chance has been by her side all season.

In October, she took him on his first international trip to a training camp in Chile, and he’s been traveling with her nonstop since. Vonn carries her mom and Lucy with her, too, racing in a helmet featuring their initials, as well as the first initial of seven others she’s lost in recent years: her grandparents, Sailer and another beloved rescue dog, Bear. She calls the group her “angel army.”

After she won her first World Cup downhill race in nearly seven years in December, Vonn posted a photo of Chance on the couch in her hotel room in St. Moritz next to her trophies. “This weekend was amazing in so many ways,” she wrote. “All the work that was put in over the past year is coming together … The best is yet to come.”

No matter what happens in the downhill Sunday, Chance will surely be waiting for Vonn in her hotel room with a wagging tail and unconditional support.

“This is all icing on the cake,” Vonn said this week. “I never expected to be here. I felt like this was an amazing opportunity to close out my career in a way that I wanted to. Hasn’t gone exactly the way I wanted, but I don’t want to have any regrets.”

This season, Vonn allowed herself to dream of Olympic gold again. Although her injury has made winning the downhill an uphill battle, she still believes it is possible. On Sunday, she’ll remember the advice Sailer gave her in 2019: What’s 90 seconds in a lifetime?





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Savannah Guthrie releases new video directed to mother’s possible kidnapper

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“TODAY” co-anchor Savannah Guthrie addressed her mother’s possible kidnapper in a new Instagram video saying the family would “pay” for the 84-year-old woman’s safe return. This comes after Guthrie’s mother Nancy was reported missing from her home in Arizona. 

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Washington Post publisher Will Lewis says he’s stepping down

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Washington Post publisher Will Lewis said Saturday that he’s stepping down, ending a troubled tenure three days after the newspaper said that it was laying off one-third of its staff.Lewis announced his departure in a two-paragraph email to the newspaper’s staff, saying that after two years of transformation, “now is the right time for me to step aside.” The Post’s chief financial officer, Jeff D’Onofrio, was appointed temporary publisher.Neither Lewis nor the newspaper’s billionaire owner Jeff Bezos participated in the meeting with staff members announcing the layoffs on Wednesday. While anticipated, the cutbacks were deeper than expected, resulting in the shutdown of the Post’s renowned sports section, the elimination of its photography staff and sharp reductions in personnel responsible for coverage of metropolitan Washington and overseas.They came on top of widespread talent defections in recent years at the newspaper, which lost tens of thousands of subscribers following Bezos’ order late in the 2024 presidential campaign pulling back from a planned endorsement of Kamala Harris, and a subsequent reorienting of its opinion section in a more conservative direction.Martin Baron, the Post’s first editor under Bezos, condemned his former boss this week for attempting to curry favor with President Donald Trump and called what has happened at the newspaper “a case study in near-instant, self-inflicted brand destruction.”The British-born Lewis was a former top executive at The Wall Street Journal before taking over at The Post in January 2024. His tenure has been rocky from the start, marked by layoffs and a failed reorganization plan that led to the departure of former top editor Sally Buzbee.His initial choice to take over for Buzbee, Robert Winnett, withdrew from the job after ethical questions were raised about both he and Lewis’ actions while working in England. They including paying for information that produced major stories, actions that would be considered unethical in American journalism. The current executive editor, Matt Murray, took over shortly thereafter.Lewis didn’t endear himself to Washington Post journalists with blunt talk about their work, at one point saying in a staff meeting that they needed to make changes because not enough people were reading their work.This week’s layoffs have led to some calls for Bezos to either increase his investment in The Post or sell it to someone who will take a more active role. Lewis, in his note, praised Bezos: “The institution could not have had a better owner,” he said.“During my tenure, difficult decisions have been taken in order to ensure the sustainable future of The Post so it can for many years ahead publish high-quality nonpartisan news to millions of customer each day,” Lewis said.D’Onofrio, who joined the paper last June after serving as the financial chief for the digital ad management company Raptive, said in a note to staff that “we are ending a hard week of change with more change.“This is a challenging time across all media organizations, and The Post is unfortunately no exception,” he wrote. “I’ve had the privilege of helping chart the course of disrupters and cultural stalwarts alike. All faced economic headwinds in changing industry landscapes, and we rose to meet those moments. I have no doubt we will do just that, together.”

Washington Post publisher Will Lewis said Saturday that he’s stepping down, ending a troubled tenure three days after the newspaper said that it was laying off one-third of its staff.

Lewis announced his departure in a two-paragraph email to the newspaper’s staff, saying that after two years of transformation, “now is the right time for me to step aside.” The Post’s chief financial officer, Jeff D’Onofrio, was appointed temporary publisher.

Neither Lewis nor the newspaper’s billionaire owner Jeff Bezos participated in the meeting with staff members announcing the layoffs on Wednesday. While anticipated, the cutbacks were deeper than expected, resulting in the shutdown of the Post’s renowned sports section, the elimination of its photography staff and sharp reductions in personnel responsible for coverage of metropolitan Washington and overseas.

They came on top of widespread talent defections in recent years at the newspaper, which lost tens of thousands of subscribers following Bezos’ order late in the 2024 presidential campaign pulling back from a planned endorsement of Kamala Harris, and a subsequent reorienting of its opinion section in a more conservative direction.

Martin Baron, the Post’s first editor under Bezos, condemned his former boss this week for attempting to curry favor with President Donald Trump and called what has happened at the newspaper “a case study in near-instant, self-inflicted brand destruction.”

The British-born Lewis was a former top executive at The Wall Street Journal before taking over at The Post in January 2024. His tenure has been rocky from the start, marked by layoffs and a failed reorganization plan that led to the departure of former top editor Sally Buzbee.

His initial choice to take over for Buzbee, Robert Winnett, withdrew from the job after ethical questions were raised about both he and Lewis’ actions while working in England. They including paying for information that produced major stories, actions that would be considered unethical in American journalism. The current executive editor, Matt Murray, took over shortly thereafter.

Lewis didn’t endear himself to Washington Post journalists with blunt talk about their work, at one point saying in a staff meeting that they needed to make changes because not enough people were reading their work.

This week’s layoffs have led to some calls for Bezos to either increase his investment in The Post or sell it to someone who will take a more active role. Lewis, in his note, praised Bezos: “The institution could not have had a better owner,” he said.

“During my tenure, difficult decisions have been taken in order to ensure the sustainable future of The Post so it can for many years ahead publish high-quality nonpartisan news to millions of customer each day,” Lewis said.

D’Onofrio, who joined the paper last June after serving as the financial chief for the digital ad management company Raptive, said in a note to staff that “we are ending a hard week of change with more change.

“This is a challenging time across all media organizations, and The Post is unfortunately no exception,” he wrote. “I’ve had the privilege of helping chart the course of disrupters and cultural stalwarts alike. All faced economic headwinds in changing industry landscapes, and we rose to meet those moments. I have no doubt we will do just that, together.”



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Country Artists Who Have Sung the National Anthem

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For more than a century, “The Star-Spangled Banner” has been played or sung before sporting events across the nation. And while numerous singers both acclaimed and unknown have taken on this heralded song, country artists seem to do it best.

It’s no surprise the Super Bowl has selected a singer from country music to sing our nation’s anthem the last four years in a row. Our artists belt out those words with authority and authenticity.

The History of the National Anthem

According to the Smithsonian, “The Star-Spangled Banner” was written in 1814 by a poet named Francis Scott Key.

After seeing the American flag flying over Fort McHenry the morning after an attack from the British, he penned one verse. Later, Key wrote three more verses, which were printed in the paper.

READ MORE: Faith Hill’s Super Bowl Anthem Was Amazing!

The poem picked up steam and was printed in numerous papers up and down the East Coast, using the title “Defence of Fort M’Henry.”

According to The Kennedy Center, the poem was set to the tune of an old drinking song called “To Anacreon in Heaven” by John Stafford Smith. Eventually one paper would take creative liberty and rename the song “The Star-Spangled Banner.”

It wasn’t until 1931 that the song became the national anthem, when President Herbert Hoover signed it into law. Despite there being four verses, only one is generally sung.

Why Do We Play the National Anthem at Sporting Events?

Some of the earliest records of “The Star-Spangled Banner” being played before a sporting event were in the 19th century at a baseball game or two.

It was in 1918 — in the midst of World War I — during Game 1 the World Series that the U.S. Navy band played the song during the seventh-inning stretch. When the recently drafted Red Sox infielder, Fred Thomas, turned toward the flag and saluted it, the crowd followed suit. The stadium began to sing and put their hands over their hearts.

The moment was so special, and it stuck. From then on, every game in the series featured the song. At the end of World War II, NFL Commissioner Elmer Layden made the song mandatory for every football game. From there, more events started incorporating it into their routine.

Keep scrolling to see which country artists have kept this tradition going and have sung “The Star-Spangled Banner” at a sporting event.

Zach Top

Carrie Underwood

Charley Pride

Chris Stapleton

Eric Church

Faith Hill

LeAnn Rimes

Luke Bryan

Martina McBride

Reba McEntire

Vince Gill

Cody Johnson

15 Country Artists Primed to Headline a Super Bowl Halftime Show

Any way you slice it, country music is long overdue for its time in the spotlight at the Super Bowl. Although several artists have sung the National Anthem at the game, the coveted halftime show has been anything but country for over three decades.

The last time anyone from the genre headlined the performance was in 1994, when Clint Black, Tanya Tucker, Travis Tritt, Wynonna Judd and Naomi Judd did a medley of their biggest hits. With country music gaining in popularity, there’s no better time than now to put one of our own in the spotlight. Here are 15 artists who are already primed to take on the task.

Gallery Credit: Jess





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Washington Post Publisher Will Lewis Departs Days After Steep Layoffs

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Finance chief Jeff D’Onofrio, who joined the company in June, was named acting publisher and CEO, effective immediately.



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George Pickens contract: Cowboys expected to franchise tag star WR, per report

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george-pickens-getty.jpg
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George Pickens will be a Dallas Cowboy next season, as the team is expected to place a franchise tag on the Pro Bowl wide receiver, according to a report from ESPN.

Dallas intends to keep Pickens on the roster, with the franchise tag, worth roughly $28 million for next season, likely serving as a starting point for negotiations to extend the wideout’s contract.

“I’m talking to George all the time by virtue of my excitement for him,” Cowboys owner Jerry Jones recently said of Pickens’ future. “He’s better than, as far as what he contributed to our team, showing the potential that he could contribute. I’m looking forward to getting things worked out so George can be a Cowboy [for] a long time.”

Pickens was drafted by the Pittsburgh Steelers in the second round of the 2022 NFL Draft. After three productive seasons in Pittsburgh, he was traded to Dallas.

This past season, Pickens had the best year of his career, catching 93 passes for 1,429 yards and nine touchdowns as the Cowboys went 7-9-1 and missed the playoffs. He was selected for the Pro Bowl for the first time in his career.

Pickens’ counterpart, fellow elite receiver CeeDee Lamb recently said that he would have no problem should Pickens end up with a larger contract than his own.

“I don’t care about that, I just want my man to get what he deserves,” Lamb said during Super Bowl radio row. “As for me, I know I’m good. I’m fine. Me and my family, we’re straight, and I just want to compete at the highest level and I want to compete for a ring.

“The money will come if you play good, so just play good and let everything else take care of itself. As for GP, he’s well deserving. He deserves every penny that he gets. And if he gets more than me, I’m going to congratulate him on that.”





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Ilia “Quad God” Malinin stunned by Yuma Kagiyama, but U.S. holds lead over Japan in Olympic team figure skating

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Ilia Malinin’s quest for Olympic figure skating gold might not be so easy after all.

Same goes for his American team.

Yuma Kagiyama landed a pair of near-perfect quads, one in combination with a triple toe loop, and scored 108.67 points in his short program on Saturday night. That topped Malinin in the segment — he was second with 98.00 — and helped to keep the Japanese team within distance of the defending champion U.S. heading into the final day of competition.

Thanks to a brilliant free skate by Madison Chock and Evan Bates later in the night, the U.S. ended the day with 44 points. Japan was five points back going into the men’s, women’s and pairs free skates to decide the medals Sunday.

“You know, I think I got to buckle down and see what happens and get better next time. We will work it out,” said Malinin, the two-time reigning world champion, who is unbeaten in his last 14 full competitions stretching back more than two years.

2026 Winter Olympics - Milan-Cortina

Ilia Malinin reacts with his teammates as his score comes through after performing his routine during men’s single skating short program at the Milano Ice Skating Arena in the Winter Olympics on Feb. 7, 2026.

Tim Clayton / Getty Images


“Being here, I’m trying to enjoy every single moment and just be grateful for everything,” Malinin continued, “because there’s a lot of unexpected things that can happen in life and I’m taking everything to heart.”  

As the U.S. and Japan duel for gold, the race for bronze also is tight: Italy has 37 points, Canada has 35 and Georgia has 32.

The top five teams advanced after short programs, and the Canadians squeaked through thanks to Stephen Gogolev’s personal-best 92.99 score. Kevin Aymoz was unable to match him for France, leaving his team one point below the cut line.

Figure Skating - Milano Cortina 2026 Winter Olympics: Day 1

Ilia Malinin competes in the short program at Milano Cortina 2026 Winter Olympic Games. Feb. 7, 2026. 

Jared C. Tilton / Getty Images


“I’m focusing more on myself,” Gogolev said, “and obviously that is going to translate to the highest ranking possible for the team.”

As for Malinin, he had stalked through the tunnels inside Milano Ice Skating Arena before his Olympic debut, wearing a black tank top that read “Quad God,” the nickname borne of the way that he performs his otherworldly four-revolution jumps. The name came about when he tried changing his Instagram handle.

“I was like, ‘Oh, I landed a quad? Quad God, there it is, okay, let’s put it in,'” he told CBS News in an interview last week. “And from there everyone’s like, ‘Why’d you name yourself Quad God? You only have one quad.” And I’m like, ‘Well, now that I think about it, maybe I should try to land all of them to get the Quad God status.'”

The 21-year-old wunderkind did not attempt the quad axel, the 4 1/2-revolution jump only he has ever landed in competition, on Saturday night and did a shaky version of a triple instead. Malinin hit a big opening quad flip and finished his program with a quad lutz-triple toe loop, getting bonus points for the combination in the second half of the program.

Figure Skating - Milano Cortina 2026 Winter Olympics: Day 1

Yuma Kagiyama of Team Japan competes in men’s single skating – short program. Feb. 7, 2026. 

Joosep Martinson / Getty Images


But when his score was read, Malinin seemed almost stunned that Kagiyama had beaten him — and by a 10-point margin.

“That’s only 50% of my full potential here,” Malinin said.

Malinan, whose parents were Olympic figure skaters for Uzbekistan and whose grandfather was a figure skater for the USSR, started skating at 6.

He won gold at both the 2024 and 2025 ISU Figure Skating World Championships.

Kagiyama opened with a quad toe-triple toe combination, landed a quad salchow and finished his short program with a peerless triple axel. And unlike Malinin, when Kagiyama’s score was read, he jumped out of his seat with clenched fists raised high.

“I always receive good motivation from Ilia because he is one of the skaters who created this figure skating moment,” Kagiyama said. “He’s a good jumper, and he can do quads, so I always think that I want to catch him.”

The Americans have been on a mission ever since the 2022 Beijing Games, where their Olympic triumph was overshadowed by a Russian doping controversy. The ensuing investigation held their gold medals in limbo for more than two years, until Chock and Bates were part of the squad that finally received them in a ceremony during the 2024 Summer Olympics in Paris.

Japan has long been considered their biggest rivals. And they have lived up to those expectations, getting short programs by Kaori Sakamoto and pairs world champions Riku Miura and Ryuichi Kihara to go with Kagiyama’s triumph Saturday night.

Figure Skating - Milano Cortina 2026 Winter Olympics: Day 1

Madison Chock and partner Evan Bates of Team USA compete in figure skating ice dance team event on day one of the Winter Olympics at Milano Ice Skating Arena on Feb. 7, 2026, in Milan, Italy.

Matthew Stockman / Getty Images


It was only fitting that Chock and Bates would perform — and win — both of their programs during the team competition.

Their free dance, a flamenco-styled program set to “Paint It Black” from the dystopian sci-fi western “Westworld,” had the crowd on its feet by the end. Their season-best score of 133.23 points gave a big boost to a U.S. squad in need of some momentum.



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Apple AirTag helps in rescue of missing man from icy ravine

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He was too injured to move and had been exposed to freezing temperatures for hours.



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